Kicell

Kicell is made of two brothers: the elder, Takefumi Tsujimura (vocal, guitar), and the younger, Tomoharu Tsujimura (vocal, bass and musical saw). Takefumi is deep, an introvert. Tomoharu is more distracted, yet delicate. Takefumi was already recording his songs on a four-track when they started playing together in 1999. The brothers' voices are very similar, and this is what gives such a recognizable balance to their work. Takefumi's passionate love stories become experimental pop in Tomoharu's hands, and the fusion/separation inherent in their arrangements is what gives Kicell its force.

Kicell has released 5 albums since October 2000, the date when they left their native Kyoto to head for Tokyo. All have sold over 20,000 copies. The last to date, Magic Hour (2008), has a tragic beauty and is out on the label Kakubarhythm (Sakerock, Illreme). It is an amazingly produced post-pop opus, a success. Emerson Kitamura (Jagatara, Mute Beat), the discrete third member, sometimes joins them both for recordings and on stage. Emerson adds a very light dub touch to the Kicell sound and the odd melodic line that really hits the spot.

Kicell was invited to play in New York in 2005 by the celebrated artist entrepreneur Takashi Murakami, but they are still mostly unknown outside Japan. They seem to lack a little confidence in themselves, as if their influences (Robert Wyatt, Sigur Rós and Young Marble Giants) might betray them abroad. Of course, we can all be blind to our own originality, but it's time for Kicell to leave Japan and find new audiences. There can be no doubt that the reaction to their quality and adventure will be positive. Could this be the beginning of a new Kicell chapter?